150円 In "Fine Books," Alfred W. Pollard offers a compelling exploration of the world of rare manuscripts, valuable prints, and collectible volumes. Written in an engaging and accessible style, Pollard deftly interweaves rich narratives with meticulous detail, illuminating the evolution of bibliophilia...

300円 George Edward Woodberry's "A History of Wood-Engraving" stands as a seminal exploration into the intricate and often overlooked art form of wood-engraving. Through a meticulously detailed narrative, Woodberry combines historical analysis with artistic critique, tracing the evolution of wood-engra...

888円 Embark on a creative journey with "Cricut for Beginners" This guide is your go-to resource for understanding, optimizing, and mastering the art of using the Cricut Machine, ensuring a seamless experience for both beginners and intermediate crafters. Our adventure begins with an insightful introdu...

300円 In "Ariadne Florentina: Six Lectures on Wood and Metal Engraving," John Ruskin offers an intricate exploration of the craftsmanship and artistry inherent in the disciplines of wood and metal engraving. Combining theoretical insights with practical observations, Ruskin employs a richly descriptive...

300円 In "Photogravure," Henry R. Blaney navigates the intricate interplay between art and technology, exploring how the photogravure process revolutionized printmaking in the late 19th and early 20th centuries. Blaney's prose is both scholarly and accessible, employing a rich tapestry of historical an...

150円 In "Some Notes on Early Woodcut Books, with a Chapter on Illuminated Manuscripts," William Morris delves into the intricate world of early printed books and manuscripts, examining the aesthetics and techniques of woodcut illustrations in relation to illuminated texts. The work is marked by Morris...

150円 In "Practical Lithography," Alfred Seymour delivers a comprehensive exploration of lithographic techniques, melding theoretical principles with practical applications. The book is structured methodically, providing both novices and seasoned practitioners with an accessible blueprint to master thi...

2,066円 At fifteen, Turner was already exhibiting View of Lambeth. He soon acquired the reputation of an immensely clever watercolourist. A disciple of Girtin and Cozens, he showed in his choice and presentation of theme a picturesque imagination which seemed to mark him out for a brilliant career as an ...

1,989円 Mary was born in Pittsburgh. Her father was a banker of liberal educational ideas and the entire family appears to have been sympathetic to French culture. Mary was no more than five or six years old when she first saw Paris, and she was still in her teens when she decided to become a painter. Sh...

1,989円 Picasso was born a Spaniard and, so they say, began to draw before he could speak. As an infant he was instinctively attracted to artist’s tools. In early childhood he could spend hours in happy concentration drawing spirals with a sense and meaning known only to himself. At other times, shunning...

1,989円 Dürer is the greatest of German artists and most representative of the German mind. He, like Leonardo, was a man of striking physical attractiveness, great charm of manner and conversation, and mental accomplishment, being well grounded in the sciences and mathematics of the day. His skill in dra...

1,989円 Pierre Bonnard was the leader of a group of Post-Impressionist painters who called themselves the Nabis, from the Hebrew word meaning “prophet”. Bonnard, Vuillard, Roussel and Denis, the most distinguished of the Nabis, revolutionised decorative painting during one of the richest periods in the h...