9,285円 Imperialism is a transnational and transhistorical phenomenon; it occurs neither in limited areas nor at one specific moment. In cultures from across the world theatrical performance has long been a site for both the representation and support of imperialism, and resistance and rebellion against ...

4,239円 Representations of multiracial Americans, especially those with one black and one white parent, appear everywhere in contemporary culture, from reality shows to presidential politics. Some depict multiracial individuals as mired in painful confusion; others equate them with progress, as the embod...

6,633円 Peter Weir: Interviews is the first volume of interviews to be published on the esteemed Australian director. Although Weir (b. 1944) has acquired a reputation of being guarded about his life and work, these interviews by archivists, journalists, historians, and colleagues reveal him to be a most...

7,960円 Fred Zinnemann directed some of the most acclaimed and controversial films of the twentieth century, yet he has been a shadowy presence in Hollywood history. In Fred Zinnemann and the Cinema of Resistance, J. E. Smyth reveals the intellectual passion behind some of the most powerful films ever ma...

500円  Some of us are so moved when we see them that become our personal idols and we try to follow their path. Others remain as fans trying to support them via internet or going to conventions, trying to encourage them in any way they can. Some, as us, would like to make them more known and let t...

3,310円 Despite the longevity of animation and its significance within the history of cinema, film theorists have focused on live-action motion pictures and largely ignored hand-drawn and computer-generated movies. Thomas Lamarre contends that the history, techniques, and complex visual language of anima...

4,951円 More than any other filmmaker, Sam Peckinpah opened the door for graphic violence in movies. In this book, Stephen Prince explains the rise of explicit violence in the American cinema, its social effects, and the relation of contemporary ultraviolence to the radical, humanistic filmmaking that Pe...

3,337円 The "new" realism of Italian cinema after World War II represented and in many ways attempted to contain the turmoil of a society struggling to rid itself of Fascism while fighting off the threat of radical egalitarianism at the same time. In this boldly revisionist book, Vincent F. Rocchio combi...

2,653円 There is more to identity than identifying with one’s culture or standing solidly against it. José Esteban Muñoz looks at how those outside the racial and sexual mainstream negotiate majority cultureーnot by aligning themselves with or against exclusionary works but rather by transforming these w...

3,337円 "Gender is an absolute ground zero for most human societies," writes David William Foster, "an absolute horizon of social subjectivity." In this book, he examines gender issues in thirteen Brazilian films made (with one exception) after the 1985 return to constitutional democracy and elimination ...

1,326円 Супруги устали друг от друга до состояния депрессии, они презирают друг друга, всё их раздражает друг в друге. Они с отчаяньем вдруг осознают, что двадцать лет прожито в сущности без любви. В конце концов, они просто очень разные люди, и так не сумели понять друг друга. Он когда-то очень сильно л...

1,326円 Романтическая драма в двух частях. Nadezhda Ptushkina - Stalingradskoe tango