164円 The gargoyles and carvings of Notre Dame watch over Paris. Theodore Andrea Cook, art critic and historian muses about them in this short essay.

1,060円 Sandro Botticelli (Alessandro di Mariano Filipepi) (Florence, 1445 – 1510). Botticelli était le fils d'un citoyen jouissant d'une situation confortable, et avait été «instruit dans toutes les choses que les enfants doivent habituellement savoir avant de choisir une vocation ». Mais il refusa de c...

1,060円 Lang vor der Erfindung von neuen, mit exotischen Monstern gespickten Medien wie Comics und Computerspielen zeigte der niederländische Maler Hieronymus Bosch in seinen Gemälden, oft mit einer Prise Humor verbunden, eine große Anzahl von schrecklichen, wahrlich Furcht einflößenden Fantasiewesen, wi...

2,254円 Step-by-step instructions for painting icons, from original drawings through finished product. This is the sequel to the authors previous work, A Brush with God, for advanced beginners, intermediate, and advanced iconographers. It presents greater detail and instructions for creating entirely new...

5,970円 Focusing on the period between the Wycliffite critique of images and Reformation iconoclasm, Shannon Gayk investigates the sometimes complementary and sometimes fraught relationship between vernacular devotional writing and the religious image. She examines how a set of fifteenth-century writers,...

5,300円 This probing analysis of three of Giotto’s major works and the patrons who commissioned them goes beyond the clichés of Giotto as the founding figure of western painting. It traces the interactions between Franciscan friars and powerful bankers and illuminates the complex interactions between mer...

1,459円 Rich colours and arresting designs capture the mood of celebration and joy that characterizes this photographic record of contemporary religious works of art. Chosen for their excellence in design and stitchery, these works represent the achievements of artists who have created art, in fabric, fo...

1,060円 Le Caravage (Michelangelo Merisi) (Caravaggio, 1571 – Porto Ercole, 1610) Après avoir séjourné à Milan durant son apprentissage, Michelangelo Merisi arriva à Rome en 1592. Là, il commença à peindre en faisant preuve de réalisme et de psychologie dans la représentation de ses modèles. Le Caravage ...

4,230円 Over the centuries, European debate about the nature and status of images of God and sacred figures has often upset the established order and shaken societies to their core. Out of this debate, an identifiable doctrine has emerged of the image in general and of the divine image in particular. Thi...

1,060円 Sein Vater war ein wohlhabender Bürger, der darauf bestand, dass er "in allem unterrichtet wurde, was man Kinder lehrt”. Doch der Junge hatte nicht viel für Lesen, Schreiben oder Mathematik übrig, so dass sein Vater die Hoffnung aufgab, ihn zu einem Gelehrten zu machen, und ihn stattdessen zum Go...

2,015円 For more than five centuries The Last Supper has been an artistic, religious and cultural icon. The art historian Kenneth Clark called it 'the keystone of European art', and for a century after its creation it was regarded as nothing less than a miraculous image. And yet there is a very human sto...

2,387円 For many who identify themselves as Christians, Jesus has never become experientially personal or real. Countless others who have faithfully followed Christ confess to a spiritual dryness and lack of joy. These individuals are weary and unmoved by the plethora of information about Jesus. What the...