300円 Joseph Mallord William Turner RA (1775 – 1851) was an English Romantic painter, printmaker and watercolourist, known for his expressive colourisation, imaginative landscapes and turbulent, often violent marine paintings. He was born in Maiden Lane, Covent Garden, London, to a modest lower middle-...

300円 George Romney (1734 – 1802) was an English portrait painter. He was the most fashionable artist of his day, painting many leading society figures – including his artistic muse, Emma Hamilton, mistress of Lord Nelson.

602円 From Florence, in the second half of the fifteenth century, men looked into a new dawn. When the Turk took Constantinople in 1443, the "glory that was Greece" was carried to her by fleeing scholars, and she became for one brilliant generation the home of that Platonic worship of beauty and philos...

602円 The work now laid before the public originated in indignation at the shallow and false criticism of the periodicals of the day on the works of the great living artist to whom it principally refers. It was intended to be a short pamphlet, reprobating the matter and style of those critiques, and po...

602円 Kommentierte und erweiterte Ausgabe des Buches von 1918. Ergänzt durch eine umfangreiche Biografie und Bibliografie des Autors Georg Streng. Georg Streng schreibt in seiner Einleitung zu „Das Rosettenmotiv“, dass es in den Standardwerken seiner Zeit keinerlei befriedigende Erklärung für die Herku...

300円 Sir Anthony van Dyck (1599 – 1641) was a Flemish Baroque artist who became the leading court painter in England, after enjoying great success in Italy and Flanders. He is most famous for his portraits of Charles I of England and his family and court, painted with a relaxed elegance that was to be...

903円 Arte contemporanea e arte outsider: quale dialogo tra “dentro” e “fuori”? Art brut, arte outsider, arte irregolare possono dirsi uguali, affini o differenti? Come si riconosce lo status di artista? L’arte crea legami? Sono alcune delle domande che percorrono il volume sollecitando risposte multif...

602円 If there is one artist, more than another, whose work it is desirable that you should examine in Florence, supposing that you care for old art at all, it is Giotto. You can, indeed, also see work of his at Assisi; but it is not likely you will stop there, to any purpose. At Padua there is much; b...

14,292円 Notions of civilization and barbarism were intrinsic to Eugène Delacroix’s artistic practice: he wrote regularly about these concepts in his journal, and the tensions between the two were the subject of numerous paintings, including his most ambitious mural project, the ceiling of the Library of ...

7,959円 The Ashgate Research Companion to Giorgio Vasari brings together the world's foremost experts on Vasari as well as up-and-coming scholars to provide, at the 500th anniversary of his birth, a comprehensive assessment of the current state of scholarship on this important-and still controversial-art...

10,280円 Replication and originality are central concepts in the artistic oeuvres of Marcel Duchamp and Man Ray. Remaking the Readymade reveals the underlying and previously unexplored processes and rationales for the collaboration between Duchamp, Man Ray, and Arturo Schwarz on the replication of readyma...

5,470円 This book is focused on the transcultural memory of the Mediterranean region and the different ways it is articulated by contemporary art practices and museum projects linked to migrations, exile, diaspora and transnationality. The artistic and curatorial examples analysed in this study articulat...