New and Selected Poems, Volume 2
3,960円 This collection presents 42 new poems--an entire volume in itself--along with works chosen by Oliver from six of the books she has previously published.
Locales: Poems from the Fellowship of Sou...
4,752円 Offering a lyrical topography of the southern--and of the American--spirit, this collection of poetry demonstrates that there is no place, however small or remote or obscure, that cannot call forth a resonant outcry of the heart.
In Parenthesis: Seinnyessit E Gledyf Ym P...
3,564円 This writing has to do with some things I saw, felt, and was part of" with quiet modesty, David Jones begins a work that is among the most powerful imaginative efforts to grapple with the carnage of the First World War, a book celebrated by W.B. Yeats and T.S. Eliot as one of the masterpieces of ...
A Little Salvation: Poems Old and New
4,752円 This new collection from acclaimed novelist and poet Judson Mitcham features poems from the last twenty-five years, including forty new works and poems from his previously published collections, Somewhere in Ecclesiastes (1991) and This April Day (2003). Wise, witty, and deceptively plainspoken, ...
Denise Levertov Selected Poems
3,168円 Denise Levertov's Selected Poems delivers in a single accessible volume "one of the essential poets of our time" (Poetry Flash).
Talking
2,464円 ーー Talking bridges the stylistic gap between David Antin's early experimental poems and the "talk pieces" for which he is most well-known. Combining one poem with two improvisations and his first published talk-poem, Talking is a unique book that cannot be classified as solely poetry, fiction o...
Magic City
3,168円 'This is his finest book to date -- the most ambitious, the richest in writing and psychological drama, the most emotionally and intellectually demanding. It feels as though he has raised this book out of the darkest regions of his art and life.'
Leaves of Grass: The Death-Bed Edition
5,148円 It is not only the allusions to sex and physiology that disturbed Whitman's critics but also his departure from the rules of conventional poetry. He broke down the standard metred line, discard the obligatory rhyming scheme, and freely expressed himself in the living vernacular of American speech.
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